Since her mother’s death, Madeline “Gwen” Hathaway has been determined that nothing in her life will change ever again. That’s why she keeps extensive lists in journals, has had only one friend since childhood, and looks forward to the monotony of working the ren faire circuit with her father. Until she arrives at her mother’s favourite end-of-tour stop to find the faire is under new management and completely changed.

Meeting Arthur, the son of the new owners and an actual lute-playing bard, messes up Maddie’s plans even more. For some reason, he wants to be her friend – and ropes her into becoming Princess of the Faire. Now Maddie is overseeing a faire dramatically changed from what her mother loved and going on road trips vastly different from the routine she used to rely on. Worst of all, she’s kind of having fun.

Ashley Schumacher’s The Renaissance of Gwen Hathaway is filled with a wise old magician who sells potion bottles, gallant knights who are afraid of horses and ride camels instead, kings with a fondness for theatrics, a lazy river castle moat with inflatable crocodile floaties, and a plus-sized heroine with a wide-open heart… if only she just admits it.